3,032 Free Artworks of 1851 In Art

the power of form applied to geometric tracery (1851)yale center for british artoil on canvasmetropolitan museum of artdrawings in the yale center for british artalfred henry forresterpen and inkpapervictorian architecturedepartment of american paintings and sculpture, metropolitan museum of art
Birch Tree, Niagara, John Frederick Kensett, probably 1851
john frederick kensetthudson river school
Birch Tree, Niagara, John Frederick Kensett, probably 1851
john frederick kensetthudson river school
Incendio del Hospital de mujeres incurables en Madrid en 1851, Cecilio Pizarro, between 1840 and 1873
drawings by cecilio pizarro in the museo del pradodrawings of madrid by cecilio pizarro
Sandy Knowe, or Smailholm Tower (Vignette), William Miller, 1851
etchings in the yale center for british artwilliam miller (engraver)
Medallion, Dominik Bimann, 1851
department of european sculpture and decorative arts, metropolitan museum of artdominik bimann
Washington Crossing the Delaware, Emanuel Leutze, 1851
department of american paintings and sculpture, metropolitan museum of artromanticism
Harddraverij te 's-Gravenhage, RP-T-1964-111, Willem de Famars Testas, 27 September 1851
drawings by willem de famars testas in the rijksmuseum amsterdamorientalism
Hum-Bug (P. T. Barnum), from the Comic Natural History of the Human Race, Louis N. Rosenthal, 1851
the comic natural history of the human racelouis n. rosenthal
Sheep and goats in stable, Pieter Plas, 1851
paintings in the rijksmuseum twenthepieter plas
Street Monuments, Signs, Badges, &c., Plate 3, John Wykeham Archer, 1851
aquatint prints in the yale center for british artjohn wykeham archer
Street Monuments, Signs, Badges, &c., Plate 2, John Wykeham Archer, 1851
aquatint prints in the yale center for british artjohn wykeham archer
London Wall, St. Martin's Court, Ludgate Hill, John Wykeham Archer, 1851
etchings in the yale center for british artjohn wykeham archer
A south west view of Fort Royal in the island of Guadaloupe, Nicholas Matthews Condy
paintings in the royal albert memorial museumnicholas condy
Politics in an Oyster House, Michele Fanoli, 1851
lithographs in the national gallery of art (washington, d.c.)michel fanoli
Young Widow, Pavel Fedotov, 1851
1850s fashionrealism
Dutch sheepfold (Sheep in a stable in Holland), Johann Wölfle, 1849-1851 (circa)
prints by johann wölfle in the british museumtinted lithographs in the british museum
Johan Unger, Johannes Flintoe, between 1811 and 1851
portrait paintings by johannes flintoeportrait paintings of men of norway
Anne Marie Unger, Johannes Flintoe, between 1811 and 1851
portrait paintings by johannes flintoeportrait paintings of women of norway
Colt Model 1851 Navy Percussion Revolver, serial no. 2, 1850
victorian architecturecolt 1851 navy
Colt Model 1851 Navy Percussion Revolver, serial no. 2, 1850
colt revolvers in the metropolitan museum of artvictorian architecture
Colt Model 1851 Navy Percussion Revolver, serial no. 2, 1850
victorian architecturecolt 1851 navy
Church-Goers Arriving by Boat at the Parish Church of Leksand on Siljan Lake, Sweden, Wilhelm Marstrand, 1853
paintings by wilhelm marstrand in statens museum for kunstdanish golden age
Portrait of flutist Niels Petersen (1801-1851), Louis Aumont, circa 1830
portrait paintings by louis aumontniels petersen (flutist)
Ary Scheffer's large studio on the Rue Chaptal 16, Paris, Ary Johannes Lamme, 1851
paintings in the dordrechts museumary johannes lamme
Untitled, Jean-Louis-Ernest Meissonier, 1851
drawings by jean-louis-ernest meissonieracademic art
Deer Stalking in Scotland: Getting Ready, Arthur Fitzwilliam Tait, 1851
landscape paintings in the museum of fine arts, houstonpaintings by arthur fitzwilliam tait
The schooner brig Maria Johanna, Casparus Johannes Morel, 1851
marine paintings in the nederlands scheepvaartmuseumcasparus johannes morel
Young peasant woman with basket in front of farmhouse, Uberto Dell’Orto, by 1895
19th-century oil on canvas paintingsnaturalism
Ivory-cutters at Berhampoor (Bengal), for the Great Exhibition, 1851
the illustrated london news 1851victorian architecture
L'escarpolette, Raymond Monvoisin, 1851
raymond quinsac monvoisin1851 paintings
Bruletto of Como, Thomas Shotter Boys, 1851
italy in art by john ruskinthomas shotter boys
Zittende vrouw met boek, RP-T-FM-84, Lambertus Lingeman, 23 March 1851
black chalk drawings in the rijksmuseum amsterdamtrois crayons drawings
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780588265), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780554985), 1851
the power of form applied to geometric tracery (1851)
Stormy Sea, Eduard Hildebrandt, 1851
the elisha whittelsey collectionpaintings by eduard hildebrandt
Ernest Augustus, Duke of Cumberland (1771-1851), George Lethbridge Saunders, c.1820-50
portrait paintings of ernest augustus, king of hanovergeorge lethbridge saunders
Carriage for Ladies, from Lahore, India, 1851
objects on display in the great exhibitionvictorian architecture
Indian Hackery, or carriage for carrying cotton, 1851
objects on display in the great exhibitionvictorian architecture
[View from Photographer's Studio], Gustave Le Gray, 1851–54
department of photographs, metropolitan museum of artphotographs of paris by gustave le gray
Washington Crossing the Delaware, Emanuel Leutze, 1851
washington crossing the delawareromanticism
St. Michael's Golden-Domed Monastery, Carl Peter Mazér, 1851
st. michael's golden-domed monastery in artcarl peter mazer
St. Michael's Golden-Domed Cathedral, Carl Peter Mazér, 1851
st. michael's golden-domed monastery in artcarl peter mazer
Chair, in the Classic Style, by Capello, Turin, 1893
illustrations of chairsvictorian architecture
Der Bärenzwinger im zoologischen Garten (The bear pit in the zoological gardens), 1851
lithographs in the british museumrealism
Diploma Of The Industrial Exhibition, William Dyce, 1851
artworks by william dyce in the aberdeen archives, gallery and museums collectionlithograph
The First of May 1851, Franz Xaver Winterhalter
history paintings in the royal collection of the united kingdomacademic art,rococo revival
Modeling ivory figures from the living elephant, at Berhampoor, 1851
the illustrated london news 1851victorian architecture
Middle portal of Aubeterre, Gustave Le Gray, 1851
department of photographs, metropolitan museum of artphotographs by gustave le gray
Portrait of Princess Albert de Broglie, from 1851 until 1853
pauline de galard de brassac de béarn, princesse de broglie (ingres - metropolitan museum of art)romanticism,neoclassicism
Opening of the Great Industrial Exhibition of all nations, by her most gracious majesty Queen Victoria and his royal highness Prince Albert, on the 1st of May, 1851 - taken on the spot by LCCN93507156, George Cruikshank
interior views of the crystal palace at hyde parkmay 1851 in the united kingdom
Two birds., Adolf Mackeprang, between 1851 and 1911
19th or 20th-century paintings from denmarkpaintings by adolf mackeprang
Bible reading, Alfred Bruyas, 1851
drawings by octave tassaertbible reading in art
The Guards and the Line, Alfred Henry Forrester, circa 1851
drawings in the yale center for british artalfred henry forrester
The Guards and the Line, Alfred Henry Forrester, circa 1851
drawings in the yale center for british artalfred henry forrester
Winter in New England, George Henry Durrie, 1851
landscape paintings in the new britain museum of american artpaintings by george henry durrie
The Guards and the Line, Alfred Henry Forrester, circa 1851
drawings in the yale center for british artalfred henry forrester
The Guards and the Line, Alfred Henry Forrester, circa 1851
drawings in the yale center for british artalfred henry forrester
The Guards and the Line, Alfred Henry Forrester, circa 1851
drawings in the yale center for british artalfred henry forrester
The Guards and the Line, Alfred Henry Forrester, circa 1851
drawings in the yale center for british artalfred henry forrester
The Guards and the Line, Alfred Henry Forrester, circa 1851
drawings in the yale center for british artalfred henry forrester
The Guards and the Line, Alfred Henry Forrester, circa 1851
drawings in the yale center for british artalfred henry forrester
The Guards and the Line, Alfred Henry Forrester, circa 1851
drawings in the yale center for british artalfred henry forrester
The Guards and the Line, Alfred Henry Forrester, circa 1851
drawings in the yale center for british artalfred henry forrester
The Guards and the Line, Alfred Henry Forrester, circa 1851
drawings in the yale center for british artalfred henry forrester
The Guards and the Line, Alfred Henry Forrester, circa 1851
drawings in the yale center for british artalfred henry forrester
J.M.W. Turner - "The Fallacy of Hope", Alfred d'Orsay, 1851
lithograph prints in the yale center for british artalfred d'orsay
The Guards and the Line, Alfred Henry Forrester, circa 1851
drawings in the yale center for british artalfred henry forrester
Kuniyoshi Utagawa, Mongaku Shonin, Utagawa Kuniyoshi, 日本語: 嘉永4年頃circa 1851
japanese deitiesukiyo-e
Bestiaux au pâturage, Jacques Raymond Brascassat, 1851
paintings by jacques raymond brascassat in musée des beaux-arts de reimsoil on panel
The Antiquary - Self-Portrait, Adolph von Menzel, 1851
lithographs by adolph von menzel in the cleveland museum of artrealism
Waiting for the Stage, 1851
paintings in the national gallery of art (washington, d.c.)art works by richard caton woodville
Philadelphia from Petty Island, Thomas Birch
american paintings in the museum of fine arts, bostonthomas birch (1779-1851)
Portrait of Eleanor Varnum Mitchell, Chester Harding, between 1850 and 1851
portrait paintings in the princeton university art museumpaintings by chester harding
Wood Carving and Original Sign of the House Cock Inn, Tothill Street, Westminster, John Wykeham Archer, 1851
etchings in the yale center for british artjohn wykeham archer
A Sentinel: Time of Louis XIII, Jean-Louis-Ernest Meissonier, 1851
paintings by jean-louis-ernest meissonier in the wallace collectionacademic art
Dr. Bracht, Eastman Johnson, 1851
department of american paintings and sculpture, metropolitan museum of arteastman johnson
Dr. Bracht, Eastman Johnson, 1851
department of american paintings and sculpture, metropolitan museum of arteastman johnson
Tessandier, Aimée Jeanne (1851-1923); actress, Henri Dochy, 22 November 1884
aimée tessandierhenri dochy
Secret RMG PU6564, William Adolphus Knell, 14 April 1851
prints, drawings and watercolours of the royal museums greenwichships named secret
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593705050), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593920650), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780762155), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14777252341), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14757432516), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14800295333), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14757462666), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14757570856), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14778246234), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780558595), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780225172), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593840520), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14594078958), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14780268562), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593837829), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14777294391), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14800443203), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14593894267), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14594102397), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14777296951), 1851
the power of form applied to geometric tracery (1851)
The power of form applied to geometric tracery - one hundred designs and their foundations resulting from one diagram (1851) (14777394151), 1851
the power of form applied to geometric tracery (1851)
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